You could follow the arrow that says "Starling Dodd" and find "Witchmountain" there in the trees; the last house on the mountain and goodness it's really felt like it lately - the last house on the way up but the first for the wind to hammer as it crashes down the valley. The outline of these hills has always made me think of sleeping dragons and I think one woke up during those Named Storms, it wasn't happy to be disturbed. Part of the lane has washed away and various bits of the house leaked - are leaking- (because as I mentioned last time, this is a Jumblie's Sieve kind of a place) but it's quiet now, the heating boiler is fixed and I'm trying to be less like Bill Nighy's Mr Woodhouse in Emma, constantly anxious about draughts.The picture above was taken from the top of Catbells last weekend. We set out in brightness and blue sky, with packed lunch and flasks of hot Ribena, only to be ambushed by vicious hail storms which I'm hoping will have the same effect as an expensive microdermabrasion treatment. The snowdrops are still hanging in there, leggy and battered but it's nearly daffodil time and hopefully a there's a gentle Spring on the way for all those places so badly affected by the floods.Now that I've talked about the weather I have to try and order my thoughts; what to say? What to leave out? What to paint a brighter shade so that I sound like a misery? I think a lot about writing (when I'm not writing) and art (when I'm not ... doing it) and what I think, often, is that anyone who tries to make a living by their imagination and creativity, or even just lets their words or images out into the wild with no thought of financial gain, is pretty damn brave, or crazy, because there are Other People out there and they have Opinions. I remember thinking this when I went to a book event in London a while ago, the brave and fearless authors who'd spent months alone with their writing, had to come out before a crowd to pitch their books to us (the booksellers) and then there would be critics, then sales figures and then the pot holed path towards a new book. It's the same for all artists who make a thing in private and then offer it up like a slippery newborn for inspection. You don't get to just go home, switch off and watch Eastenders after a day at work, it's always there, it is you.If that all sounds a bit too heavy and serious it's only because I'm in a thinking mood after I was interviewed this week by a lovely woman from a local magazine. Little old me in my studio (for studio read kitchen table). I've never been interviewed in person about my work before, so of course I felt like an utter fraud, a slightly batty hermit; naturally the cat popped in and out with a dead vole and true to form I rambled, over shared (possibly) and only remembered what I should have said after she'd gone. I'll let you know if it makes the editorial cut, I hope so despite my shyness.So what should I have said? What is the right way to behave? Up sell, up speak and always look in control? You see I still feel as though some honesty is vital. What use is it to anyone if the picture of "life up a mountain making art" is airbrushed in such a way that other people misunderstand and possibly fall down the same pot holes, I have a duty to put metaphorical cones out!What's real today...*It took me 3 hours to light the fire so I've done no creative work , have a coal dust moustache and if there's a power cut we're stuffed because I used all the candles (ran out of fire lighters)*I'm realising that because my prints take ages to make I sell them too cheaply.*Sometimes I just want to read a book and eat crumpets instead.*Self promotion is so hard and feels like being everything you were brought up not to be.Anyway, that's the end of the soul searching section, except to say that while I was talking to Ellie I realised that I became most passionate whilst talking about other people's work and businesses, it definitely feels more comfortable. We also talked about the solitude needed, in my case at least, to come up with ideas and inspiration, but that doesn't mean isolation. The support of (and for) others is vital. This week although I've seen no one I've felt absolutely lifted and supported by my slowly growing network of creative friends who all face similar days when the fire (literal or creative) won't light and their muse has gone missing. You're all amazing.Hey look! I did a mug shot! This is so rare and I'm squirming a bit but here I am, only a slightly airbrushed startled rabbit. The finished "big" versions of The Ugly Duckling and The Secret Garden which I'd done for Elspeth Tavacci arrived the other week. Elspeth is working on making a version of The Secret Garden which will work as one of her, Purple Pomegranate, card books but these are the Story House versions, designed for teaching English as a foreign language. The books have all sorts of activities in the back such as word searches and creative writing prompts as well as vocabulary notes throughout which I hadn't expected , it really is nice to see the finished thing all printed and real.This was one of my favourite pages ...Anyway, I have just 5 copies but I could spare one, so I thought maybe I could do a giveaway like I used to in the Olden Blog Days? Is that still a thing? To enter just visit my website and let me know in the comments below which is your favourite card so I can include it with the book (if you sign up to the newsletter too that 's an extra entry - and if you buy a card you are a hero). I'll pick a winner at random at the end of March so that the winner can read the book before the new film comes out on April 10th!This is my current favourite and I'm thinking of getting myself a pea green boat if it doesn't stop raining soon. Good luck xReading : "Here in the Real World" by Sara Pennypacker. I love a good children's book and this one - admittedly chosen at first for its cover by Jon Klassen - is turning out to be about all the things I love, gardens, friendship, nature and finding a space to become yourself.Listening to " The Toyshop" by Robert Dinsdale and the theme song to The Detectorists by Johnny Flynn [youtube https://www.youtube.com/watch?v=VDunLPWD2Xw&w=560&h=315]
I'm under my special blanket, by the stove, wrapped in 117 woollen squares knitted by my Great Grandma for my parent's wedding in 1962 (which turned out to be a famously cold winter so I'm sure it was welcomed). I've been watching the snow covered mountain tops, behind the house, turn all shades of rosy, sugared almond pink, against a sky of ice blue, as the sun set; wishing I'd timed my short walk up the valley better and knew more about camera settings. Never mind, I did that thing we should all do more of and just looked and said "ooooh" and was "present in the moment". Now night has fallen, the cat is snoring and my fingers have just about thawed out enough to type...but I feel a bit stuck if I'm honest. The pressure to maintain an upbeat public persona and maintain a stiff upper lip in times of adversity can be stifling (and dishonest in my opinion). Nobody wants even more gloom in the gloomiest month of the year but, for the record, 2018 so far has been ... difficult. I'm fully prepared to be optimistic , it would just be nice to have a little balance for a change, a "good news, bad news" situation instead of a general trend towards worry, jumping when the phone rings and eating way too much rice pudding as comfort food. Anyway, here is a seasonal antidote, something really fun and absorbing that I found yesterday on the Makelight website. Emily Quinton and her husband Stef have developed an app. called #YearOfColour which extracts the colours from your Instagram pictures and creates really interesting palettes of colour, grouped according to popularity, time of year and so on. I found it fascinating and surprising to see the results for Witchmountain (where did all that sandy beige come from?!) and it's a really useful design tool.I've been tempted to do one of Emily's online photography courses so that next time I won't miss catching the mountain glow.In the meantime I tried to take advantage of some beautiful winter sunlight today to take a few pictures of prints which have recently come back from an exhibition in Keswick and need to be listed on my website. I noticed an ancient, painted over nail on the porch of the cottage next door so I made a little outdoor gallery and wrestled with reflections. What a beautiful afternoon though; the kind of air that feels like a cool drink and signs of spring everywhere. The exhibition had been in Keswick's Theatre by the Lake and it was encouraging to receive a few website sales this month, from people who had seen work there.The bumpy start to the year and my decision not to do British Craft Trade Fair has left me feeling as though I'm drifting a bit but that's not always a bad thing... who knows what opportunities and inspirations will be found wherever that current takes me.I mentioned the Dream, Plan, Do journal in my last post and last week I made a start on the first sections of the book which aim "to help you focus on your vision, future and values." So here's a confession... I couldn't do it. I felt intimidated by my apparent lack of focus and clear direction after nearly 10 years of being "Witchmountain" but most of all I was unable to contemplate the question " How old will you be in 2030, how about your parents, children, partner?". As I say, it's been difficult lately (the stuff that makes us human - love, loss, ageing ...you don't need to know the details) and I still have't got used to being 50 let alone been able to imagine being 62! To cut a long story short I closed the book, retreated into another good story (The Night Circus) and decided to peek warily at the Facebook group that runs along side the planner instead. And here is why it's sometimes ok to admit when things are crappy and your life isn't looking like a styled Instagram shot; because it turned out I wasn't alone. Loads of other people were saying the same things or asking similar questions, dealing with all sorts of bad stuff and supporting each other. Encouragement and understanding and practical solutions abound in groups like that, and yes, you can end up spending too much time Dreaming and not enough time Doing if you're not careful, but I picked the planner up again and didn't feel quite so alone (so thanks Patricia and the Dream,Plan,Do team). I got a similar feeling to the one I got last summer, packing up after Art in the Pen, which was that I was slightly awestruck by the resilience and determination of so many creative people who are usually juggling all sorts of plates, some with jagged edges, and without those people the world really would be eternally January.In other news I gave away a lovely original hare print last month as part of my Newsletter Subscribers Draw and this month there will be another (nice) surprise for somebody so do subscribe if you haven't already (and tell all your friends). I'm also going to be doing lots of other random giveaways throughout the year as part of my celebration of 10 years of writing this blog.The little paper houses in the picture above are a FREE pdf download on my website in the Cards section of the shop where, should you be in the market for one, you could also find some perfect cards for Valentines Day ;)Enough sales talk, I'm off to stitch tiny cross stitches into paper whilst watching whodunnits on Netflix.One final thing about that planner...I haven't reached the page yet but I've gathered that people have to choose a keyword for the year. I have come up with two (because I fancy being self indulgent) they are RESILIENCE and CONNECTION, I don't think you can have the first without the second so this is the year I want to spend more time with the people I care about, keep in touch with old friends and building connections with new ones. If you're reading this then that includes you. Thank you xReading: "The Mitford Murders" Jessica Fellowes. Listening To : "How to Stop Time" Matt Haig ( on Audible) and "Charlotte Anne" Julian Cope SaveSaveSaveSaveSaveSaveSaveSave