A little over a fortnight since my last blog post and I'm sitting quietly by the stove trying to work out if it's even possible to coherently share some of the ridiculous things that have happened lately and where to start. This is where being a proper writer would help... or if only I'd taken pictures as proof. Well you'll just have to imagine if you can:- the aftermath of the snowstorms, the heating oil arrived at last, the cupboards restocked with Marmite and bread flour and all is as it should be; except that as the snow melted and spring seemed to be arriving, the water went off. Much of the country had similar problems including Jackie Morris and the designer/shepherdess Alison O'Neil who both endured similar lengths of time with no running water (and electricity in Alison's case). For 8 days, while waiting for the plumber, we wrestled with the ancient pump (the water comes up from a spring near the beck and it had frozen) and the horrible tanks in the attic; lugging buckets up from the beck for toilet flushing and wrecking my plastic free intentions by buying gallons of bottled water. It was horrible, one trip to the beck was enough for me, I ached all over and the romance of rural life was hard to see. It shouldn't have taken so long to fix but the house is old and crumbling and the whole experience was incredibly stressful, dredging up memories of the last days at Snilesworth and making me militant about the absolute priority that should be given to making sure people all over the world have proper access to clean drinking water and sanitation. We take water for granted, especially in the Lake District and hardly ever stop to think how amazingly lucky we are. Water Aid do great work in this area, as I've mentioned before, so maybe I'll ask my landlords to make a big donation!As a side issue we discovered that there was a monster living in the attic. We'd heard him moving his furniture around in the night but whilst battling with water tanks and float switches in the terrifying attic, Rupert found the "droppings" of something evidently much larger than a mouse. Thankfully not rats, my friends assured me, but more weirdly ... weasels or stoats. Really?! I haven't been able to eat from the stoat plate since all our chickens got murdered when we moved here and now it seem the culprits live upstairs!
This house is connected to the old cottage next door, so we had a bit of sorting out to do in there too ( burst pipes, Aga issues etc) once the water was back on and I decided to put some of our washing up in their dishwasher since we don't have one. The cottage is dark and slightly haunted, having been empty for a while, but I'm never too worried, even when I realised that the front door was ajar when I went in to collect my pots in the evening- I probably didn't close it properly. In the back kitchen, loading my tray I heard a very strange noise and realised I wasn't alone. Shuffling , scratching, banging sounds that were obviously a brutal burglar nicking the collection of Beatrix Potter figurines, came from the front room and I prepared to meet my doom armed with some crockery. Creeping round the corner I came face to face with a tawny owl who was jumping up and down on the windowsill trying to get out. As I write I can hear the owls, they call constantly even in daylight and I love them but not upset ones in a confined space. As I edged forward to try and open the door the owl swooped silently into the other room and eyed me from the top of a wooden screen before hurling itself into the mirror over the mantlepiece, scattering trinkets and old photographs.We played this game for half an hour- I considered taking photos and wish I had now but I just wanted to set it free without getting it's talons stuck in me. Eventually the poor thing was so fed up of flying at the window that I managed to catch it (wearing an enormous pair of gauntlets that were lying around- it's that kind of place) and set her down on the gatepost outside, part of me wanting desperately to keep her. Away she flew, without a sound or a backward glance leaving me to recover from the shock. How did she get in, walking through the half open door or falling out of the attic after the plumber left a hatch open? Summoned by too many owl drawings and not enough flowers?
I feels though I've waffled on enough now, you probably had to be there, but anyway, it sets a scene. I live in a very odd place and I think if it weren't for my precious, occasional bookshop days, I would be going a little bit crazy by now. It's important to have a bit of human interaction and lately that has felt more important than ever.
When not fetching water or wrangling owls I've been drawing swans, preparing to send an image or two down for an exhibition in Bristol next month and being inspired by a folk tale based in Grasmere called the Hunchback and the Swan by Taffy Thomas , a local storyteller. I've just found this wonderful animation by Dotty Kultys based on the story today [vimeo 197521074 w=640 h=360]Isn't it great and the music too! Now I need to keep drawing because I have lots of ideas but they're not popping out how I want them too yet. Here is my swan, the Lady of the Lake.
Until next time. xReading: "A Line Made by Walking" Sara Baum Listening to : " TheBedlam Stacks" by Natasha Pulley ( audio book)
I took these pictures from the car window on the way to work last week; a day when the sky had fallen in and I quite literally had my head in the clouds. Progress along these moorland roads can be slow when you are constantly stopped in your tracks by a perfect cloud or the way a heavy frost makes delicate sculpture of the dead grasses and seed heads. Hawnby Hill, is the perfect miniature mountain I can see from my garden, unlike its surroundings it has rocky outcrops and scree slopes like a bonsai Lake District fell.
Two weekends ago we went on a house hunting trip to the Lakes and viewed freezing cottages in the woods with dead wasps on every windowsill and semi perfect places (if the yellowing lace curtains and orange pine were removed) in wildly unsuitable locations.I keep trying to picture myself in these places, miles from home, friends and family and thinking about one of those annoying motivational pictures people share on Facebook, it said " If you don't like where you are, Move, you're not a tree" ... but what if you do like where you are and you have deep roots and if you got transplanted you'd just feel like a felled tree anyway?
My trip to the Lakes also took me back to Temporary Measure where Emma was about to leave the tearoom for the last time and decamp to a wonderful studio just up the road. I'd gone to get some advice on preparing for the British Craft Trade Fair and talk about getting some samples printed and it was lovely to catch up; I left feeling a lot more positive about doing the event despite all that is going on, after all it's paid for now so I may as well go, even if I just have a suitcase and a handstitched copy of the Big Issue to show! Rupert described Emma as "positive and uplifting" which is true; she is also very funny and makes lovely things if you didn't already know. I was feeling a bit odd and had accidentally referred to Rupert as Richard Ashcroft when talking to an estate agent... my mind then went blank and I forgot his real name which isn't so good after being with someone over 4 years! Being a grown up is such hard work and I'm pretty sure it doesn't make a good impression on future landlords to introduce your partner as the lead singer of the Verve while crying with hysterical laughter and leaving them with the conclusion that the " The Drugs Don't Work".
And so, home on Witchmountain, the house is swaddled in fog, the stove is glowing and I must get on and draw something instead of staring out of the window at the chickens or scouring the internet for houses to rent. I found another company that might be able to supply mugs with my designs on via the lovely Charlotte Vallance ,who I first came across through the Sketchbook Project; so I'm just messing around with box and mug templates and kind of wishing I'd done ceramics instead of textiles because I'd love to be able to use bowls and cups I had made myself. Some gorgeous ceramics like the ones below, from Mary Johnson came in to the Saltbox Gallery last week and I loved the fact that each mug was unique and you could almost see the maker's finger prints.
So, I have loads more to say but I'll leave you with this poppy, as it's Armistice Day tomorrow. With lots of love, until next time. x